Thursday 25 August 2016

A CRITICAL REVIEW OF GEGE BASERAN’S ARMATTAN OF VENOM


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Over the recent times contemporary Nigerian literary texts have shifted attention from being completely narrowed down to general stereotypical discourses in terms of thematic focus, and by doing so creating a nucleus of political consciousness and assuming the social political responsibility- a strong revolutionary engine room- that challenges the predominant economic cum political factor behind the tyrannical display of power and total abuse of economy by the diminutive but influential and potent people of power – the class of bourgeois.

This drastically political dimension and movement in literature which is Marxist in nature (a radical perception of human society) could be said to be a pivotal projection of angst and antagonism, since literature mirrors the society, with a view to subjecting the philosophy of power management to criticism, thus advocating for crucial and balance fundamental change in the societal polity and its economic structures within the existing classes.

As Ngugi Wa Thiog’o would put it: ‘a writer is a member of the society. He belongs to a certain class and he is inevitably a participant in the class struggle of his times. Contemporary African writers have inevitably come to an age of active revolutionary involvement and total political activism due to the quite lamentable, migraine-giving and completely untenable condition they find themselves in the hand of the political capitalist cabals and human materialists. 

They cannot armfold themselves in silence in the face of terror. Consequently, their works have become reactionary with thematic signpost of revolutionary appeal against the burgeoning acute leadership failure and draconian display of vainglory. The burdening memories of agony and social malice, coupled with unparalleled resistance against the bane placed on the bosom of the poverty-ridden, hunger-stricken and hapless populace by the ruling class breathe life to the expedient demand and open agitation for authentic African imagery and invocations that spin through the political and economic hierarchy.